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Dr. Kyle Triggs attended Brigham Young University and Portland State University before earning his dental degree from the Oregon Health Sciences University School ofDentistry where he was president of his dental fraternity. Since then the focus of his practice is in Cosmetics and Family Dentistry. He has also advanced his training in TMD and Sleep Disorders as well as earning certificates in Invisalign and Six Month Smiles. Dr. Triggs loves to learn and takes great satisfaction in continuing to expand his knowledge about the latest techniques and methods in dentistry.
Dr. Triggs is a proud member of several dental associations, including the American Dental Association, Academy of General Dentistry, American Academy of Cosmetic Dentistry, International Association for Orthodontics. He has also volunteered for Donated Dental Services since 2003 and is director of the Assist To Succeed Anchorage dental assisting school. After earning his dental education, Dr. Triggs has practiced in Hillsboro Oregon, Park City, UT and has practiced in Anchorage Alaska for the past 20 years.
Patients often describe Dr. Triggs as gentle. He loves seeing people leave his office feeling happy as he does everything he can to ensure that they have a pleasant experience by feeling as relaxed and comfortable as possible. Dr. Triggs also enjoys a good laugh, and it is not uncommon to find funny pictures on his desk or cell phone. He tries to keep the atmosphere in his office fun and enjoyable at all times.
Class 1Concept and Blockout, Part 1. In our first section, it is all about blocking the general layout, based on the different sources that we are going to have (stills, ref). We setup a quick 3D environment in order to check in the matchmove how to make it looking realistic with the plate. The final stage for this part will be a rendered layout, slap-comped in Nuke with the plate. We use Photoshop, NUKE, and (if needed) Maya. Also includes bonus session on the city photography utilizing the Nodal Ninja with RD16 head.
Class 2Concept and Blockout, Part 2. We cover the basic assembly of our what becomes our master environment setup in Nuke. We start by discussing the plate and taking note of anything that is of particularly important for the work that follows through the rest of the term. This moves into breaking down what has been provided by the matchmove team, before we discuss how to work with a simultaneous nuke and maya setup, and how to keep a fluid workflow between maya, nuke and photoshop. We end by exporting some roughly blocked-out geo into nuke to test the shot layout, and setting up a skydome. By the end of the class we have begun to start putting the first pieces of our environment into place to view in context through the shot camera.
Class 4We discuss the modeling and uving of our final balcony element. We cover some of the thoughts and considerations that will drive the decision making process when working on 3d assets for matte painting purposes. This leads into a discussion about some different approaches that we can take in nuke when using full assets as opposed to basic primitives. We end by looking at the control we have to adjust the shot camera to show off our environment and craft a good establishing shot.
Class 6We will begin by discussing multiple projection setups in nuke and how these can be used to patch extra areas of matte painting. We will also discuss the importance of the relationship between camera focal lengths and matte painting resolutions, and how to use some of these rules to your advantage. We will then run through the setup of 3d lighting passes that will form the base for the matte painting, and look at some rendering techniques that will help us to have more control over the projections. These lighting passes will be brought back to nuke where we will set up the reprojection of our lighting passes, show how all our various elements are beginning to correspond to form the base for the final matte painting, and briefly discuss troubleshooting render issues with nuke projections.
Class 8We will run from start to finish through the process of doing the matte painting of the balcony. We will discuss the use of our rendered CG lighting passes and how by working non-destructively, we can essentially eliminate one of the major drawbacks of the matte painting approach - the inability to drastically change the lighting without major repaints. We will go on to cover the projection of our balcony matte paintings, and discuss the different ways that we can fix projection issues to give us the best possible final result.
For instance, President Trump in an interview last week also on Fox and Friends called the relationship between Comey and Mueller "bothersome," in an attempt to discredit the special counsel. Additionally, right-wing commentator Tomi Lauren was featured on an ad paid by the Great America Alliance, a pro-Trump non-profit, which openly questioned whether Mueller can run an independent investigation because of his ties to the Clinton Foundation and Comey.
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R "Ray" Wang is the founder of Silicon Valley based Constellation Research Inc. His new book about digital giants and the future of business titled, Everybody Wants to Rule The World will be released July 2021 and is the next big idea that expands on his 2015 ground-breaking best-selling book on digital transformation, Disrupting Digital Business. Ray loves great food, travel, music and conversation. Catch (MyPOV) on Twitter.
In place of textbooks this semester, we will be referring primarily to articles published in academic journals. Each week, you will be expected to read and understand one of these articles. Exams will cover primarily the material in the articles.
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